Jasmina Cibic  (Ljubljana, 1979)

 

EDUCATION

 

2003–2006 MA in Fine Art, Goldsmiths College London
1998–2003 Accademia di Belle Arti di Venezia

 

SOLO EXHIBITIONS

 

2019
An atmosphere of Joyful Contemplation, curated by Ainslie Roddick, CCA Glasgow
The Pleasure of Expense, curated by Sophia Hao, Cooper Gallery, Duncan of Jordanstone
College of Art & Design – University of Dundee
Spielraum, curated Alenka Gregorič, Tobačna 001 Ljubljana
2018
Everything We Do Today will Look Heroic in the Future, curated by Laura Amann and Jen Kratochvil, The Significant Other, Vienna
Everything that You Desire and Nothing that You Fear, curated by Cheryl Sim, DHC/ART Montreal
This Machine Builds Nations, curated by Alessandro Vincentelli, BALTIC Centre for Contemporary Art Newcastle
2017
NADA, curated Ana Frangovska, Jasna Jakšić and Vesna Meštrić, National Gallery of Macedonia, Skopje
The Spirit of Our Needs, curated by Katia Baudin, Kunstmuseen Krefeld House Esters
Theatrum Philsophicum, curated by Ali Akay, Acikekran Gallery, Istanbul
Topical Devices, Northampton Contemporary
Firm Foundations, Gallery Zak Branicka Berlin
The Nation Loves It, curated by Dawn Williams, Crawfrod Gallery Cork
A Shining City on a Hill, curated by Juliana Engberg, Space O, Aarhus 2017, Aarhus
2016
Tear Down and Rebuild, Esker Foundation, Calgary
Building Desire, curated by Branka Benčič, Apoteka, Vodnjan
NADA: Act I, curated by Jasna Jakšić, Vjenceslav Richter Collection, Museum of Contemporary Art Zagreb
2015
Spielraum, Onomatopee, Eindhoven
Building Desire, curated by Gordana Nikolić, Museum of Contemporary Art Vojvodina
Tear Down and Rebuild, curated by Una Popović, Salon of the Museum of Contemporary Art Belgrade
Spielraum: Give Expression to Common Desires, curated by Anna Gritz, MGLC Ljubljana Spielraum: The Nation Loves It, curated by Rona Kopeczky, Ludwig Museum Budapest
2014
Fruits of Our Land, Saw Gallery, Ottawa
Fruits of Our Land, LMAK Projects, New York
2013
For Our Economy and Culture, the Slovenian Pavilion at the 55th International Art Exhibition, La Biennale di Venezia
2012
Situation Anophthalmus hitleri, Salon 2012, European Capital of Culture, Slovenia
2011
The Object of the Spectacle, Škuc Gallery, Ljubljana
2009
Airport Projects, Galerija Ganes Pratt, Ljubljana
Spectators, Tourists and Casual Passers-By, ADHOC Galleria, Vigo
2008
Other Mythologies, Maribor Art Gallery, Maribor
Ideologies of Display, Galerija Ganes Pratt, Ljubljana
2007
Mythmaking as a Colonisation Tactic, Tobačna, Ljubljana
Tourists Welcome, Ljubljana International Airport
Visitour, Galerija Ganes Pratt, Ljubljana

 

SELECTED GROUP EXHIBITIONS

 

2019
Steirischer Herbst, special artist commission, curated by Ekaterina Degot, Graz
Real Beauty, curated by Oriol Fontdevila, ADN Platform, Barcelona
12th Kaunas Biennial, special artist commission, Vytautas the Great War Museum, Kaunas
The ABC of Bauhaus, Kaiser Wilhelm Museum, Krefeld
54th Zagreb Salon, HDLU Zagreb
2018
No Looking Back, Okay?, curated by Simona Vidmar, UGM Maribor
Jarman Award Touring, Whitechapel Gallery, MAC Belfast, Notingham Contemporary, Towner Art Gallery, Spike Island, Glasgow Film Theatre, Dundee Contemporary Arts, Turner Contemporary, Exeter Phoenix, FACT Liverpool, Firstsite Colchester, G39 Cardiff, HOME Manchester
Stranger Than Paradise, curated by Tevž Logar and Eva Riebova, Meet Factory, Prague
Vice Versa, curated by Jen Kratochvill and Laura Amann, Prague
Toward a Concrete Utopia, organised by Martino Stierli, curated by Vladimir Kulić, MOMA New York
Marvellous Cacophony, 57th October Salon, curated by Danielle and Gunar Kvaran, Belgrade
Volatile Dreams, Kunstmuseum Ahlen and Marta Herford
Unsettlement, curated by Charlotte Day, Shelley Mc Spedden and Elise Routledge, MUMA Monash University Museum of Art
2017
Symptoms of Society, curated by Alenka Gregorič, Zhejiang Museum of Art, Hangzhou, China
57th Annale: Avanti, curated by Tihomir Milovac, Poreč, Croatia
Symptoms of Society, curated by Alenka Gregorič, Guangdong Museum of Art, China
Open Frame Award, Wiesbaden Museum of Art
Identification, La Box, Bourges
Charlottenborg Spring Exhibition, Best international artist award, Charlottenborg Fonden, Copenhagen
Identification, acb gallery Budapest
Nieuw Amsterdams Peil – Where do we go from here?, curated by Alessandro Vincentelli, tegenboschvanvreden, Amsterdam
Aéroports /Villes-Mondes, curated by Franck Bauchard, Gaîté Lyrique, Paris
Videonale e.V., Kunstmuseum Bonn
Casebooks, curated by Michael Maziere, Ambika P3, London
2016
Bartok, Ludwig Museum Budapest
Monitoring, 33. Kasseler Dokumentarfilm- und Videofest, Kasseler Kunstverein
Works and Lives in, Zona Sztuki Aktualnej, Szczecin
MAC International, Metropolitan Arts Centre, Belfast
We are the Centre…, curated by Paul O’Neill, The Hessel Museum of Art and the Center for Curatorial Studies, Bard College
Cold Front from the Balkans, curated by Ali Akay and Alenka Gregorič, Pera Museum, Istanbul
Cinemaniac: Think Film, curated by Branka Benčić, Pula Film Festival, MMC Luka
Terminal P, curated by Franck Bauchard, La Panacee, Montpellier
Beyond the Globe: 8th Triennial of Contemporary Art – U3, curated by Boris Groys, Museum of Modern Art Ljubljana
Low-Budget Utopias, curated by Zdenka Badovinac and Bojana Piškur, Museum of Contemporary Art Ljubljana
Acquisitions 2012–2015, Museum of Contemporary Art Vojvodina, Novi Sad
Cypher, curated by Anna Jehle, lAB Artists Unlimited, Bielefeld
2015
3LHD, Museum of Contemporary Art Zagreb
2005–2015 Crisis and New Beginnings, Museum of Contemporary Art Ljubljana
Was It a Car or a Cat I Saw, curated by Vladimir Vidmar, Škuc Gallery, Ljubljana
Darker and Darker Grows the Landscape, curated by Benedicte le Pimpec and Isaline Vuille, Le Commun, Geneva
Demented Architecture, curated by Aaron Lister, City Gallery, Wellington, New Zealand
Art and Authority, Museum of Contemporary Art Banja Luka, Bosnia
Heroes We Love, curated by Miško Šuvaković and Simona Vidmar, UGM Maribor
Magija umjetnosti, Gliptoteka, Zagreb
Die Magie der Kunst, Künstlerhaus Wien
2014
Art and Authority, Museum of Yugoslav History, Belgrade
Black House, curated by Anders Harm, EKKM, Tallinn
Disturbances, International Centre of Graphic Arts Ljubljana
BoomBang, NN Contemporary Art Northampton
Art and Authority, The Gallery of Matica Srpska, Novi Sad, Serbia
La Magia dell’ Arte, the protagonists of Slovene contemporary art 1968–2013, Vila Manin, Italy
Open Frame, Nassauischer Kunstverein, Wiesbaden
2013
Disturbances, European Month of Photography, Musée national d’histoire et d’art, Luxembourg
No One Belongs Here More than You, curated by Red Min(e)d, 54th October Salon, Belgrade
Monitoring, Kulturbahnhof Kassel, 30. Kasseler Dokumentarfilm- und Videofest, Kassel
U3 – Triennial of Contemporary Art, curated by Nataša Bachelez-Petrešin, Museum of Contemporary Art Ljubljana
30th Biennial of Graphic Arts in Ljubljana, an invited artist project, International Centre of Graphic Arts, Ljubljana
2012
Almost Springtime, 100 years of Slovene Art, Maribor Art Gallery, Slovenia
Strangers in a Strange Land, LMAK Projects, New York
Borderline, produced by Universalmuseum Joanneum Graz, European City of Culture Maribor 2012
No Experience Necessary, Invited International Artist’s Project for Bus-Tops, a project for the London 2012 Cultural Olympiad
Art Lending Library, Glasgow International Festival of Visual Art, Glasgow
Spectral Metropole, curated by Ken Pratt, Gallery Vžigalica, City Museum Ljubljana
SELECTED SCREENINGS

 

2019     Fruits of Our Land, Mesto Žensk, Kinoteka, Ljubljana
2019     Solo screening: Nada trilogy, Belvedere 21, Museum of Contemporary Art, Vienna
2019     Les Rencontres Internationales, Louvre, Paris
2019     Les Rencontres Internationales, Haus der Kulturen der Welt, Berlin
2018     Jarman Award touring programme, Whitechapel gallery etc.
2018     SALT, Istanbul
2018     Solo screening: BALTIC Gateshead
2018     Segal Centre Film Festival on Theatre and Performance, New York
2017     Solo screening: Norlandsopera, Umeå
2017     Les Rencontres Internationales, Haus der Kulturen der Welt, Berlin
2017     Up-Close, Whitechapel Gallery, London
2016     Solo screening: Spielraum, CCA Laznia, Gdansk
2016     Solo screening: Artist Cinema, Museum of Contemporary Art Zagreb
2016     Les Rencontres Internationales, Haus der Kulturen der Welt, Berlin
2016     Les Rencontres Internationales, Gaîté Lyrique, Paris
2015     Solo screening: Igor Zabel Foundation, MSUM+ Ljubljana
2015     Boom Bang, Zagare Capital of Culture, Lithuania
2015     Solo screening: Micropolitics, curated by BLOK, Galerija Nova, Zagreb
2014     O:4W FILM FESTIVAL, Cardiff
2014     Solo screening: 10th Berwick Film & Media Arts Festival, Berwick-upon-Tweed
2014     Les Rencontres Internationales, Haus der Kulturen der Welt, Berlin
2014     Art Brussels, Cinema Programme, curated by Katerina Gregos
2014     Solo screening: Capa Contemporary Photography Center, curated by Gabriella Uhl, Budapest
2014     Les Rencontres Internationales, Gaîté Lyrique/Palais de Tokyo, Paris
2014     14th GOEAST – Festival of Central and Eastern European Film, Wiesbaden
2013     CPH:DOX* / Copenhagen Int. Documentary Film Festival
2013     Solo screening: KORO Oslo, Norway
2012     For Our Public, curated by Michelle Deignan, Museum of Modern Art Ljubljana

 

AWARDS

 

2018     Shortlisted for Film London Jarman Award
2018     Nominated for Paul Hamlyn Award
2017     Aesthetica Art Prize Shortlist
2016     MAC International Ulster Bank Award Winner
2016     Nominated for the Film London Jarman Award
2016     Best International Artist Award, Charlottenborg Fonden, Copenhagen
2014     Nominated for Open Frame Award 2014 go East, Nassaurisher Kunstverein,        Wiesbaden
2011     Trend Award for Outstanding Achievements in Visual Art, Slovenia
2011     Catlin Commission Winner
2010     Nominated for the Vordemberge–Gildewart foundation award
2006     ZOO Art Fair: shortlisted for John Jones Art on Paper acquisition award
2005     Bevilacqua la Masa Foundation award, Venice
2004     (Passaporta art group) shortlisted for Premio Furla by Cesare Pietroiusti, Galleria d’Arte Moderna, Bologna
2002     Bevilacqua la Masa Foundation award, Venice

 

SELECTED BIBLIOGRAPHY

 

R. Fowkes and M. Fowkes (eds.), Eastern and Central European Art since 1950, Thames and Hudson London (2018)
J. Cibic and U. Popović (eds.), Spielraum (monograph), Museum of Contemporary Art Belgrade/BALTIC/Distanz Verlag, 2018
K. Baudin: ‘NADA’ (monograph), Kerber Verlag, 2018
Miloš Kosec: ‘The meaning of a double game’, Outsider, Ljubljana 2017, pp. 74 – 83
C. Hamman (ed.): Casebooks, University of Westminster, London (2017)
T. Milovac (ed.), Avanti! 57. Annale Poreč, Pučko otvoreno učilište Poreč, Poreč, 2017
S. Vidmar (ed.), Heroes we Love, Maribor Art Gallery, Maribor, 2017
U. Jurman and Vid Zabel (eds.), ARHITEKTURA ≠ UMETNOST, Umetniško izobraževalno društvo Praznine and Društvo Igor Zabel za kulturo in teorijo, Ljubljana, 2017
G. Nikolić (ed.), Building Desire, Museum of Contemporary Art Vojvodina, Novi Sad, 2016
8th Triennial of Contemporary Art U3: Beyond the Globe, Museum of Modern Art, Museum of Modern Art, Ljubljana, 2016.
Tamara Soban, Igor Španjol (eds), Crises and New Beginnings. Art in Slovenia 2005–2015, Museum of Contemporary Art Metelkova, Museum of Modern Art, Ljubljana, 2016.
Vanja Žanko, Inside, Maistra, Rovinj, 2016, pp. 45-48.
Jasmina Cibic, ‘How not to shame a name’, in Suzana Milevska (ed.), On Productive Shame, Reconciliation and Agency, Sternberg Press, Berlin, 2015, pp. 162 – 173.
Agnieszka Grata, ‘Jasmina Cibic’, Critics’ Picks, Artforum, October 2015.
Chris Fite Wassilak, ‘Jasmina Cibic’, Frieze, 171, London, May 2015, p. 231.-
Aaron Lister, ‘Demented Architecture’, City Gallery Wellington, 2015.
Jasmina Cibic, ‘Situation Anophthalmus hitleri’, ‘Darker and Darker Grows the Landscape’, ‘Le Commun’, Bâtiment d’art contemporain, Geneva 2015, p. 11.
Anthony Dunne, Fiona Raby (eds), Speculative Everything. Design, Fiction and Social Dreaming, MIT Press, London,2014.
Nataša Bodrožić and Irena Borić (eds), Politics of Feelings/Economies of Love, Onomatopee, Eindhoven, 2014, pp. 28–31.
Ana Panić (ed.), Art and Authority – Landscapes form the Collection of Josip Tito Broz, Museum of Yugoslav History, Belgrade, 2014, pp. 87–89.
Paul di Felice and Pierre Stiwer (eds), Mois Européen de la photographie, Café-Crème asbl, Luxembourg, 2013, p. 19.
Aleksander Bassin, La magia dell’arte – I protagonist dell’Arte Slovena contemporanea 1968–2013, Društvo likovnih umetnikov, Ljubljana, 2014, p. 147.
Ruth Beesley, Constructing Iconographies, Aesthetica Magazine,  53, June 2013, London, pp. 70–75.
Jasmina Cibic, ‘The Double Game – Investigation of Representation from Within’, Critical Issues in Public Art, Koro, Oslo, 2013, pp. 8-10.
Elisabeth Fiedler and Michael Petrowitch (eds), Borderline, Universalmuseum Joanneum, Graz 2013, pp. 32–39.
Deborah Cullen (ed.), Interruption, The 30th Biennial of Graphic Arts Ljubljana, Black Dog Publishing, London and MGLC Ljubljana, 2013.
Red Min(e)d (eds), Nobody belongs here more than you, 54th October Salon, Belgrade 2013, pp. 16–21.
Tevž Logar and Blaž Peršin, For Our Economy and Culture, 55th International Art Exhibition, Il Palazzo Enciclopedico, Marsilio Editori, La Biennale di Venezia, 2013, pp. 144–145.
Vladimir Vidmar, Tevž Logar (eds), For our Economy and Culture, the Slovenian Pavilion at 55th International Art Exhibition La Biennale di Venezia, MGML and Škuc Gallery, Ljubljana 2013.
Miha Colner, Jasmina Cibic, Disturbances, Kulturprojekte, Berlin 2012, pp. 32–33.
Tadej Zupančič, ‘Training the Gaze’, Trend Awards, Ljubljana 2012 pp. 54–72.
Polona Balantič, ‘The Fantastical World of Jasmina Cibic’s Ideology Hunt’, Ambient, 105, Ljubljana, 2012, pp. 171–175.
Ana-Maria Dragnea and Cristina Iurea (eds), Police the Police, META Publishing, Bucharest 2011, pp. 76–77.
Katarina Stegnar and Miha Horvat, Performa 2011, Mala garažna knjižnica, Maribor 2011.
Tamara Soban, Igor Španjol (eds), U3 – 6TH Triennial of Contemporary Art in Slovenia: Idea for Living – Realism and Reality in Contemporary Art in Slovenia, Museum of Modern Art Ljubljana, 2010, pp. 7, 29.
Simona Vidmar (ed.), Airport Projects, Maribor Art Gallery, Maribor 2009.
Simona Vidmar, Spectators, Tourists and Casual Passers-By, Oris, 58, Zagreb 2009, pp. 178–187.
Lars Bang Larsen, The Secret of the Ninth Planet, California College of the Arts, San Francisco 2009.
Tamara Soban (ed.), Museum on the Street, Museum of Modern Art, Ljubljana, 2009, pp. 32–33.
Jasmina Cibic, Portfolio Magazine, 47, Edinburgh, May 2008, pp. 36–39.
Gerard Hemsworth, ‘Jasmina Cibic’, Pilot III, London, 2007, pp. 67–69.
Simona Vidmar, Jasmina Cibic, Land(e)scape, Kunstlerhaus Graz and Maribor Art Gallery, 2007, pp. 8–12.
Bevilacqua la Masa 90º Mostra Collettiva, Bevilacqua la Masa Foundation, Venice, 2006, pp. 98–102.
Sally O’Reilly, Goldsmiths Degree Show 2006, Goldsmiths University, London, 2006.
Bevilacqua la Masa 89º Mostra Collettiva, Bevilacqua la Masa Foundation, Venice, 2006, pp. 48–49
Riccardo Caldura, Passaporta, Gemine Muse, Milano, 2005.