J.Cibic, U.Popović (eds.): Spielraum, Distanz Verlag, 2018.
K.Baudin (ed.): Nada, Kerber Verlag, 2018.
S. Petrović, D. Jovanović-Prodanović (eds.), The Marvellous Cacophony, 57 October Salon, Belgrade 2018.
F. Fast, F. Brückmann, A.K. Kreisel, K. Luchs, R.Nachtigäller, T. Schriefers, E.Wolpers (eds.): Volatile Dreams, MARTA Herford, 2018.
K. Sutton, Playing Politics, Kate Sutton on Jasmina Cibic’s Nada trilogy, Artforum, February 2018
S. McSpedden (ed.), Unsettlement, MUMA Monash, 2018
J. Engberg (ed.), Commissions: European Capital of Culture Aarhus 2017, Aarhus 2017 Foundation, pp. 87 – 105.
S. Vidmar (ed.), Heroes we love, UGM Maribor, 2017.
Miloš Kosec: ‘The meaning of a double game’, Outsider, Ljubljana, 2017, pp. 74 – 83.
C. Hamman (ed.): Casebooks, University of Westminster, London, 2017.
R. Fowkes, M. Fowkes (eds.), Eastern and Central European Art since 1950, Thames and Hudson, London, 2018.
T. Milovac (ed.), Avanti! 57. Annale Poreč, Pučko otvoreno učilište Poreč, Poreč, 2017.
S. Vidmar (ed.), Heroes we Love, Maribor Art Gallery, Maribor, 2017.
U. Jurman and Vid Zabel (eds.), ARHITEKTURA ≠ UMETNOST, Umetniško izobraževalno društvo Praznine and Društvo Igor Zabel za kulturo in teorijo, Ljubljana, 2017.
G. Nikolić (ed.), Building Desire, Museum of Contemporary Art Vojvodina, Novi Sad, 2016.
8th Triennial of Contemporary Art U3: Beyond the Globe, Museum of Modern Art, Museum of Modern Art, Ljubljana, 2016.
Tamara Soban, Igor Španjol (eds.), Crises and New Beginnings. Art in Slovenia 2005–2015, Museum of Contemporary Art Metelkova, Museum of Modern Art, Ljubljana, 2016.
Vanja Žanko, Inside, Maistra, Rovinj, 2016,  pp. 45–48.
Jasmina Cibic, ‘How not to shame a name’, in Suzana Milevska (ed.), On Productive Shame, Reconciliation and Agency, Sternberg Press, Berlin, 2015, pp. 162–173.
Agnieszka Grata, ‘Jasmina Cibic’, Critics’ Picks, Artforum, October 2015.
Chris Fite Wassilak, ‘Jasmina Cibic’, Frieze, 171, London, May 2015, p. 231.
Aaron Lister, ‘Demented Architecture’, City Gallery, Wellington, 2015.
Jasmina Cibic, ‘Situation Anophthalmus hitleri’, ‘Darker and Darker Grows the Landscape’, ‘Le Commun’, Bâtiment d’art contemporain, Genf / Geneva, 2015, p. 11.
Anthony Dunne, Fiona Raby (eds.), Speculative Everything. Design, Fiction and Social Dreaming, MIT Press, London, 2014.
Nataša Bodrožić and Irena Borić (eds.), Politics of Feelings/Economies of Love, Onomatopee, Eindhoven, 2014, pp. 28–31.
Ana Panić (ed.), Art and Authority – Landscapes form the Collection of Josip Tito Broz, Museum of Yugoslav History, Belgrad / Belgrade, 2014, pp. 87–89.
Paul di Felice,Pierre Stiwer (eds.), Mois Européen de la photographie, Café-Crème asbl, Luxembourg, 2013, p. 19.
Aleksander Bassin, La magia dell’arte – I protagonist dell’Arte Slovena contemporanea 1968–2013, Društvo likovnih umetnikov, Ljubljana, 2014, p. 147.
Ruth Beesley, Constructing Iconographies, Aesthetica Magazine, 53, June 2013, London, pp. 70–75.
Jasmina Cibic, ‘The Double Game – Investigation of Representation from Within’, Critical Issues in Public Art, Koro, Oslo, 2013, pp. 8–10.
Elisabeth Fiedler, Michael Petrowitch (eds.), Borderline, Universalmuseum Joanneum, Graz, 2013, pp. 32–39.
Deborah Cullen (ed.), Interruption, The 30th Biennial of Graphic Arts Ljubljana, Black Dog Publishing, London and MGLC Ljubljana, 2013.
Red Min(e)d (eds.), Nobody belongs here more than you, 54th October Salon, Belgrad/Belgrade, 2013, pp. 16–21.
Tevž Logar, Blaž Peršin, For Our Economy and Culture, 55th International Art Exhibition, Il Palazzo Enciclopedico, Marsilio Editori, La Biennale di Venezia, 2013, pp. 144–145.
Vladimir Vidmar, Tevž Logar (eds.), For our Economy and Culture, the Slovenian Pavilion at 55th International Art Exhibition La Biennale di Venezia, MGML and Škuc Gallery, Ljubljana, 2013.
Miha Colner, Jasmina Cibic, Disturbances, Kulturprojekte, Berlin, 2012, pp. 32–33.
Tadej Zupančič, ‘Training the Gaze’, Trend Awards, Ljubljana, 2012, pp. 54–72.
Polona Balantič, ‘The Fantastical World of Jasmina Cibic’s Ideology Hunt’, Ambient, 105, Ljubljana, 2012, pp. 171–175.
Ana-Maria Dragnea, Cristina Iurea (eds), Police the Police, META Publishing, Bucharest 2011, pp. 76–77.
Katarina Stegnar, Miha Horvat (eds.), Performa 2011, Mala garažna knjižnica, Maribor 2011.
Tamara Soban, Igor Španjol (eds), U3 – 6TH Triennial of Contemporary Art in Slovenia: Idea for Living – Realism and Reality in Contemporary Art in Slovenia, Museum of Modern Art Ljubljana, 2010, pp. 7, 29.
Simona Vidmar (ed.), Airport Projects, Maribor Art Gallery, Maribor, 2009.
Simona Vidmar, Spectators, Tourists and Casual Passers-By, Oris, 58, Zagreb, 2009, pp. 178–187.
Lars Bang Larsen, The Secret of the Ninth Planet, California College of the Arts, San Francisco, 2009.
Tamara Soban (ed.), Museum on the Street, Museum of Modern Art, Ljubljana, 2009, pp. 32–33.
Jasmina Cibic, Portfolio Magazine, 47, Edinburgh, May 2008, pp. 36–39.
Gerard Hemsworth, ‘Jasmina Cibic’, Pilot III, London, 2007, pp. 67–69.
Simona Vidmar, Jasmina Cibic, Land(e)scape, Künstlerhaus Graz und / and Maribor Art Gallery, 2007, pp. 8–12.
Bevilacqua la Masa 90º Mostra Collettiva, Bevilacqua la Masa Foundation, Venice, 2006, pp. 98–102.
Sally O’Reilly, Goldsmiths Degree Show 2006, Goldsmiths University, London, 2006.
Bevilacqua la Masa 89º Mostra Collettiva, Bevilacqua la Masa Foundation, Venice, 2006, pp. 48–49.
Riccardo Caldura, Passaporta, Gemine Muse, Milano, 2005.
Goldsmiths Degree Show 2004, Goldsmiths University, London, 2004.